Jon Favreau continues to prove himself as an excellent director with Cowboys & Aliens, a movie that is a good summer flick that ends up being not quite as good as the sum of its parts. It’s got a ton of energy, the cast is solid, and the effects are great, so even though the final product is missing that extra “spark,” it’s still a serviceable summer crowd-pleaser.

Favreau and his massive writing squad (Alex Kurtzman, Roberto Orci, Damon Lindelof, Mark Fergus, and Hawk Otsby) are clearly passionate fans of the western genre, and their love for the material comes through on screen. The director takes a modern approach to framing vintage character archetypes, and his history of fantastic visual effects from the Iron Man films serves him well yet again. This is much more western than sci-fi, and that’s to the film’s benefit; the characters take this alien invasion seriously, and there’s no joking tone or winking at the camera. It’s a big world, full of similar vistas, gorges, and sweeping plains that you might find in an old John Ford movie. Favreau also battled the studio when they wanted the movie shot in 3D; he held his ground and shot it on film to capture the texture of those classic westerns that came before.

Daniel Craig is stoic, rugged, and dirty throughout – in other words, he makes a great cowboy. Taking a page from Eastwood’s playbook, he lets his actions do most of the talking; his wandering amnesiac is a total badass, reminiscent (in attitude) of Kurt Russell’s Wyatt Earp in Tombstone. Harrison Ford gives one of his most inspired performances in years as the ridiculously-named Woodrow Dolarhyde, a hardass father with a good heart. The supporting cast does a good job, but ultimately their parts seb a bit undeserving of their talents. Guys like Sam Rockwell, Clancy Brown, Paul Dano, and Walton Goggins have earned a bit more than what they were given here.

The alien design is pretty by-the-numbers (although better than the atrocious designs in Battle: Los Angeles), and their excuse for invading is laughably bad. Olivia Wilde’s exposition gets a bit dreary at times, but it’s evened out by some memorable chase sequences across stark scenery via land, air, and sea. The climax also features some memorable shots, including one in particular that was clearly influenced by Neill Blomkamp’s District 9.

Listen, I liked this movie. It won’t be among my favorites of the year or anything, but the structure and predictability is exactly the kind of “turn off your brain” entertainment that most people go to the movies for in the first place. It’s well put-together, Favreau puts some style in it, and Craig and Ford go toe-to-toe in entertaining roles. But I still can’t shake the feeling that it was too predictable, the script suffers from its familiarity, and ultimately the movie just ends up coming up short. For summer fluff, Cowboys & Aliens is fine. Looking for anything more? Keep searchin’, cowboy. Until next time…

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We’ve had a number of trailers and TV spots for Jon Favreau’s Cowboys & Aliens over the past few months, and Universal will no doubt be releasing a few more as we enter July.

Today sees the release of the third trailer, which contains even more awesome looking footage. Cowboys & Aliens is a fairly unknown property compared to other movies being released next month so I can understand why Universal would want to push the marketing. I just hope they follow the Super 8 route by not revealing the mystery before its release.

You can watch the trailer below:

In the movie cowboy Jake Lonergan (Daniel Craig) has no memory of his past, and stumbles into the desert town of Absolution in 1800s Arizona with a mysterious shackle that encircles one wrist. As the gunslinger slowly starts to remember who he is and where he’s been, he realizes he holds a secret that could give the town a fighting chance against an invading alien force.

Cowboys & Aliens also stars Olivia Wilde as elusive traveller Ella and Harrison Ford as Colonel Dolarhyde, and will be released July 29th 2011

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At the Spike Guys Choice Awards on Friday Universal Pictures released a new extended sneak peek from director Jon Favreau’s Cowboys & Aliens. The trailer contains some new footage, including more from Sam Rockwell which is always welcomed.

Watch below:

In the movie cowboy Jake Lonergan (Daniel Craig) has no memory of his past, and stumbles into the desert town of Absolution in 1800s Arizona with a mysterious shackle that encircles one wrist. As the gunslinger slowly starts to remember who he is and where he’s been, he realizes he holds a secret that could give the town a fighting chance against an invading alien force.

Cowboys & Aliens stars Olivia Wilde as elusive traveller Ella and Harrison Ford as Colonel Dolarhyde, and will be released July 29th 2011

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Those lucky enough to attend Comic-Con were treated to around 8 minutes of footage from Jon Favreau’s Cowboys and Aliens, however for the rest of us the first official image of Daniel Craig as cowboy Zeke Johnson will have to do instead.

The film also stars Olivia Wilde, Harrison Ford, Sam Rockwell and Noah Ringer and explores what would happen if the traditional Old West enemies – cowboys and Native Americans – found the prairie attacked by aliens in mid-1800s Arizona. Craig will be playing a gunslinger who is joined by a woman named Ella (Wilde), and together they attempt to take on the alien invasion.

Cowboys and Aliens was expected to be Favreau’s first 3D movie, however at Comic-Con today he revealed that the film will be shot and released in the traditional two dimensions, and he won’t be converting it into 3D during post-production.

Cowboys and Aliens will be released next July and was written by Alex Kurtzman, Roberto Orci and Damon Lindelof (Star Trek, Transformers: Revenge of the Fallen).

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Over recent weeks we’ve heard that, along with Daniel Craig and Olivia Wilde, actors Sam Rockwell, Harrison Ford and Noah Ringer will star in Jon Favreau’s Cowboys and Aliens. Little has been revealed about the film itself, other than it will involve cowboys and Native Americans being attacked by aliens in mid-1800s Arizona.

Well today DreamWorks released the official synopsis for the film, and it gives us details on the plot, along with revealing who Harrison Ford will be playing.

From ComingSoon:

1873. Arizona Territory. A stranger (Craig) with no memory of his past stumbles into the hard desert town of Absolution. The only hint to his history is a mysterious shackle that encircles one wrist. What he discovers is that the people of Absolution don’t welcome strangers, and nobody makes a move on its streets unless ordered to do so by the iron-fisted Colonel Dolarhyde (Ford). It’s a town that lives in fear.

But Absolution is about to experience fear it can scarcely comprehend as the desolate city is attacked by marauders from the sky. Screaming down with breathtaking velocity and blinding lights to abduct the helpless one by one, these monsters challenge everything the residents have ever known.

Now, the stranger they rejected is their only hope for salvation. As this gunslinger slowly starts to remember who he is and where he’s been, he realizes he holds a secret that could give the town a fighting chance against the alien force. With the help of the elusive traveler Ella (Olivia Wilde), he pulls together a posse comprised of former opponents—townsfolk, Dolarhyde and his boys, outlaws and Apache warriors—all in danger of annihilation. United against a common enemy, they will prepare for an epic showdown for survival.

Cowboys and Aliens will begin filming shortly for a July 2011 release, with a script written by Alex Kurtzman, Roberto Orci and Damon Lindelof (Star Trek, Transformers: Revenge of the Fallen).

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Like its predecessor, Iron Man 2 officially kicks off the summer movie season. Some of the biggest stars in Hollywood suited up for this comic book movie adaptation, but did it live up to the amazingly high standards set by the first film?

[Extremely minor spoilers after the jump.]

I think Iron Man 2 suffered from a case of overactive marketing. Add up all of the various trailers and television spots for this movie, and it basically takes us chronologically scene by scene through the entire film. There’s no sense of wonder that the first film evoked, no mystery left for us to discover. If you go back and rewatch the first Iron Man trailer, you’ll see that they don’t actually show Stark doing much in the traditional Iron Man suit except flying. This time around, they took the exact opposite approach: by showing us every action scene in the trailer, the audience is unable to connect with the story and is instead left playing the “well, we know where this is going” game.

Sure, you could argue that in today’s over-saturated media marketplace, we’re bound to see big scenes in trailers and TV spots. But IM2 showed its hand early, giving away all its secrets and (if you’ll allow the continued metaphor) leaving the final trick to fall a bit flat since all the magic had been revealed. Even if they had just left us one surprise (Iron Man’s slick new suitcase suit at the end of the grand prix scene, for example), perhaps it would have been enough for us to again experience that magical feeling the first film captured so well. The marketing department even went as far as to show us a scene in the trailer that didn’t make it into the final cut of the film (“you complete me”), and somehow they STILL had time to reveal all of the big scenes for us before we walked into the theater.

For me, the film felt like a series of missed opportunities. The only reason we know Mickey Rourke’s character’s name is Whiplash is through press releases and plot synopses before the movie came out. The word “Whiplash” is never spoken once in the entire movie. There was also no mention of the Ten Rings organization, the terrorist group responsible for Stark’s capture in the first film. With the way the original ended (the leader of that group still at large), I figured there would at least be a passing reference to their surely-nefarious activities (similar to the Scarecrow’s cameo in The Dark Knight), if not a full-on exploration into their plans in the wake of Iron Man’s rise to power.

Speaking of exploration, perhaps the biggest missed opportunity in the movie was the lack of exploration into the Pepper Potts character. I’ve never been a big fan of Gwyneth Paltrow, but she’s very likable as this character and provides a good counter-point to Stark’s ridiculous eccentricity. In the film, Tony makes Pepper the CEO of Stark Industries, which is a great chance to further explore her character and see how she reacts to the responsibilities thrust upon her. Instead, Pepper becomes perhaps the most marginalized character in the film, relegated to just one or two scenes in which all she does to convey her newfound authority is hurriedly speak to someone on the phone. By the end, she has resigned from her position, but we are never given a clear indication about the future of Stark Industries; is Tony back as the CEO, or does the job still belong to Pepper? Favreau is content with zooming out while they’re having this discussion, and the question is left unanswered. (Granted, from what we’ve seen so far, Tony’s duties as CEO took a backseat to his work as Iron Man so it’s not REALLY that important an issue – but a bit of clarification would have been nice.)

The character of Tony Stark has been altered dramatically. In the six months between the events of the first film and the start of this one, Stark’s cockiness has been brought to its logical conclusion. He’s revealed to the world that he’s Iron Man, which is seemingly enough to justify him turning into a total jackass. His trademark swagger and witty banter seems much more malicious here, and Stark seems almost vindictive, going out of his way to bring people down and make them look like idiots all around him. There’s also the alcohol abuse: not the full-on “Demon in a Bottle” examination once rumored for the project, but instead a birthday party scene which is basically an excuse for an excessive amount of useless CGI fighting between Iron Man and War Machine. The entire depiction of Stark reminded me of the titular character in Rocky III: high from his heavyweight titles, overexposed, and an altered version of the lovable boxer we saw in previous films.

While the movie doesn’t quite venture into Spider-Man 3 territory, it does introduce multiple new characters and features two new villains. Mickey Rourke plays Ivan Vanko, a Russian expatriate with an inexplicable affinity for cockatoos and a Stark-like ability to engineer electronics and robotics. Considering Vanko was raised in Russia by a drunk, his talent is theoretically more impressive than that of Tony Stark, who, while a notable child prodigy, was unquestionably raised in an environment more conducive to their brand of sophisticated technical knowledge. It’s too bad Iron Man 2 isn’t interested in exploring these theoretical situations; instead of being an interesting character, Vanko is depicted as an essentially mute guy who, while certainly looking the part of a villain, is actually a pretty terrible one. Rourke doesn’t help matters any as an actor, imbuing Vanko with about as much personality as my computer desk and, in his opening scene, going so far over the top with his bellowing yell that it elicited laughter from me instead of sympathy.

Sam Rockwell (fresh in my mind from his fantastic performance in 2009′s Moon) fared a bit better as Justin Hammer, Stark’s industrial rival and the Negaduck to Stark’s Darkwing. He was also a bit over the top, but that trait seemed to fit better with his character. An egomaniac obsessed with beating Iron Man at his own game, Hammer is a charismatic dude (with some sweet dance moves) who spends practically half of the movie picking up Tony’s sloppy seconds (including that “piece from Vanity Fair”). He might be a bit crazy, but he just wants to one-up Stark in any way possible, so he thinks teaming up with Vanko will be the solution to his problems. I’ll avoid any big spoilers, but it’s safe to say that Vanko is a bit smarter than he appears.

Don Cheadle replaces Terrence Howard as James “Rhodey” Rhodes this time around, and I thought he filled the role without missing a beat. While I prefer Howard’s depiction of the character, Cheadle more than held his own and was easily capable of acting against Downey. And yes, as we saw exhaustively in the trailer, War Machine is featured pretty heavily in Iron Man 2. Cheadle seems to have fun with the character, but Howard’s smirk when he says “next time” to the silver suit in the original film makes me a bit sad that he wasn’t able to fulfill his own prophesy.

The most surprising part of the film was Scarlett Johansson, who actually wasn’t bad as Black Widow. Let’s face it – she’s got the looks, but she doesn’t always deliver in the acting department. She doesn’t have many lines here, but her delivery was sincere and I bought her in the role. She definitely has the physicality for the little bit of action the character performs (also given away in the trailer), a “female kicking ass in a hallway” scene thematically similar to a scene we just saw in Matthew Vaughn’s Kick-Ass but not nearly as brutal. Despite some strange directorial choices in that scene with regards to overhead shots and distracting editing, she still comes out with the desired effect: looking badass.

In keeping with the “missed opportunities” theme, we have a small appearance by Samuel L. Jackson as S.H.I.E.L.D. chief Nick Fury, who guides Stark in the right direction for one or two scenes and then is absent for the rest of the movie. I realize he’s a minor character, but I would like to see a brief diversion into that character’s mind and gotten to know him a little bit. He’s going to pop up in other Marvel films until The Avengers comes out, but until then he’ll most likely be seen in a small capacity like this and I doubt any screenwriter will devote enough time to get to know this character when they’ve got a huge hero to build their stories around. When you think about it, we know almost the same now about the Avenger Initiative as we did with Fury’s brief post-credits mention of it at the end of the original Iron Man. We hear that Iron Man is recommended for a slot on the team, but Tony Stark is not – and then we aren’t allowed any further insight into the potential consequences of what that might mean.

Maybe it’s just me, but I felt like this entire movie was not as well-directed as the first one – strange, considering Jon Favreau was at the helm for both entries. In Iron Man 2, there is a long list of decisions that I simply didn’t agree with. The first-person POV scene walking through the crowd was dizzying and unnecessary, as were the wild camera movements in our introduction to Iron Man right before he lands at the Stark Expo. Instead of locking down the camera like he did in that cool shot during Stark’s first flight over the Santa Monica Pier and the Ferris wheel in the original movie, Favreau chooses to spin the camera around as Iron Man freefalls toward the ground, jarringly swinging in close to him and then far away again with no particular rhyme or reason.

I also had some issues with the Monaco race scene. Apart from the opening establishing shot of Monaco – a Dark Knight-esque helicopter shot that gorgeously reveals the layout of the city below – I thought the whole race sequence was not very well done at all. There wasn’t a single POV shot from the front of the car, which seems like a no-brainer if you’re trying to convey the feeling Stark is having of speeding down the track. Instead, Favreau places the camera high above the action and we look down on it passively and detached from the action. The sense of speed was poorly translated, which was yet another missed opportunity since we don’t see Indy car races in film very often.

Let’s also not forget that Whiplash destroys a car, and then – with no protection, mind you – is literally engulfed in flames as he pulls a “cool guys don’t look at explosions” and walks out unscathed on the other end. What was his endgame there? In yet another comparison to The Dark Knight (I know, I know, but they just keep coming to me), The Joker allowed himself to be captured, setting up that great jail interrogation scene but also thinking ahead enough to engineer his own escape. Writer Justin Theroux tries to emulate that pattern, but falls short when we realize that Whiplash just wants to “make God bleed” and…that’s it. He’s got no game plan after that, he’s just hoping that someone else who hates Iron Man will bust him out of prison. Of course, Justin Hammer plays right into his hands, but Whiplash’s plan seems much more thrown together than the calculated brilliance of The Joker’s.

This brings up perhaps my most basic criticism of the movie. If Whiplash’s tentacles are approximately 20 feet long, why doesn’t Iron Man, I don’t know, just take a few steps back? Or maybe – and bear with me here, because I realize this suggestion might be too unbelievable – maybe he could freaking FLY AROUND HIM blasting Whiplash with pulse beams all day long while he swings in vain down on the ground. I can’t comprehend how someone as “smart” as Tony Stark would see that the guy has a limited reach and say, “you know what? I’m going to get in close with this dude and see how that works out for me.” Mind-boggling.

I know if I was still a kid, I’d love this movie simply because it has more Iron Man fight scenes than the first one. But that argument no longer holds true for me now that I’m an adult. It’s the same feeling I got when watching Louis Letterier’s The Incredible Hulk – I enjoyed the sequences with Ed Norton as Bruce Banner far more than I did watching a CGI Hulk smashing things. Comic book films have done a great job of locking down A-list dramatic actors in the past few years, and my theory is we should be allowed to watch them work. Let them earn their massive paychecks.

To be fair, you’ll have to take that last paragraph with a grain of salt. I’ll admit (as I did in my review of the first film) that I’ve never read an Iron Man comic or been a fan of the character before I saw Favreau’s 2008 film, so perhaps I’d have been more excited to see a CGI Iron Man blowing up CGI drones if I were passionate about the character and grew up imagining these sequences on the big screen. But since that isn’t the case for me personally, I ended up coming down a bit hard on this film.

Despite my criticisms, I’d still recommend checking this out. It’s not terrible, but I just had a lot of issues with it. If you’re looking for a good summer action flick, this is definitely a good place to start, and I’d even say it’s worth seeing in theaters (if you catch a matinée). But when Marvel follows up a great first film with a mediocre second one, they shouldn’t be surprised to hear vocal disappointment from fans and critics alike. Turn off your hype machines, lower your expectations, and you’ll have a good time. Until next time…

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Moon actor Sam Rockwell will be re-teaming with Iron Man 2 director Jon Favreau for Cowboys and Aliens. According to HeatVision Rockwell will play a bar owner named Doc who joins in the pursuit of the aliens. The writers apparently expanded the role after they found out Rockwell was interested in it.

Rockwell will be joining Daniel Craig, Olivia Wilde, Harrison Ford and Noah Ringer in the film which explores what would happen if the traditional Old West enemies – cowboys and Native Americans – found the prairie attacked by aliens in mid-1800s Arizona. Craig will be playing a gunslinger who is joined by a woman named Ella (Wilde), and together they attempt to take on the alien invasion.

Filming will begin next month.

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As expected a new trailer for Iron Man 2 was revealed by Robert Downey Jr. on Jimmy Kimmel Live: After the Academy Awards yesterday and it also made its way online soon after. In this trailer we see a lot more of Scarlett Johansson and Gwyneth Paltrow, along with more footage of Whiplash attacking Tony Stark at the Monaco Grand Prix. We also get a glimpse of a new portable Iron Man suit.

With the world now aware of his dual life as the armored superhero Iron Man, billionaire inventor Tony Stark (Robert Downey Jr.) faces pressure from the government, the press, and the public to share his technology with the military. Unwilling to let go of his invention, Stark, along with Pepper Potts (Gwyneth Paltrow), and James “Rhodey” Rhodes (Don Cheadle) at his side, must forge new alliances — and confront powerful enemies.

Iron Man 2 will be released on April 30th in the UK and May 7th in the US.

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Entertainment Weekly have been on an Iron Man 2 roll recently. They got our first look at Scarlett Johansson as Black Widow in Iron Man 2 and now they’ve received the far less interesting images of Don Cheadle as Col. James Rhodes and Sam Rockwell as weapons manufacturer Justin Hammer. The image above also shows director Jon Favreau and Robert Downey Jr watching playback from a boxing ring.

Click here to see another image of Gwyenth Paltrow as Pepper Potts having a few words with Tony Stark.

Filming on Iron Man 2 finished this week, so hopefully they can gather some footage together for a teaser trailer in the near future.

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Collider recently got the chance to ask Robert Downey Jr. a few questions about Iron Man 2, which is currently in filming mode. He said that due to high expectations he is taking the sequel a bit more seriously, and he also praised the new additions to the cast (Mickey Rourke, Sam Rockwell, Scarlett Johansson, Don Cheadle).

Here’s a snippet:

Another bit that Robert told us was how he is taking “Iron Man 2” more seriously than any movie he has ever done:

Robert: I’ve never been in a sequel and it’s very daunting because I feel the expectation of the millions of people who watched it and enjoyed it and told me that it was a little different than your usual genre picture and that they expected us to not screw it up. So I actually have taken “Iron Man 2” probably more seriously than any movie I’ve ever done, which is appropriately ridiculous for Hollywood.

On the way the suit has been improved from the first film:

Everything has been improved. Everything is ergonomic and the story is incredibly risky and artistic for a big genre movie.

In which way risky?

The set pieces have to do with things that aren’t your typical like bad guy conflict. The relationships are very complex and hilarious. The motivations Tony has and why he turns around and does things has completely to do with his own internal processes and it really is, I think, as much as we tried to in the first one really see behind the façade of this kind of storytelling. We really, I think, leaving ourselves open to…we’re kind of trying to tell a story about how a dysfunctional family saves life on Earth as we know it.

Could you talk about working with Mickey?

I could if we shot together. I’ve seen his stuff and it is literally remarkable. Literally remarkable. He’s so good. And he’s formidable and he’s very much reminding me of that kind of charming, confident guy that we know. Sam Rockwell, on the first day of shooting I was like “if this guy thinks he’s going to be funnier and cooler than me (laughter) and it was a photo-finish. Scarlett Johansson, amazing. Don Cheadle is just rocking it.

Click here to read the whole interview!

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