Coming Soon have heard from an unnamed source that Johnny Depp will definitely be taking part in the big screen version of the TV show that made him a star, 21 Jump Street. He has in the past said that he would be willing, so it’s not much of a surprise to hear that he has finally been confirmed.

The original TV show was centred on the credibility stretching premise of a group of babyfaced cops going undercover in high school to tackle crime and was serious in tone. Depp starred for four ripped denim seasons between 1987 -1990 as officer Tom Hanson. The updated version, which also stars Jonah Hill and Channing Tatum as his partner, is wisely steering more towards the action-comedy route and is tagged as similar in tone to Bad Boys.

The cast also includes Brie Larson (Scott Pilgrim), Ice Cube, Rob Riggle (Step Brothers), Dave Franco (brother of James), Jake M. Johnson (No Strings Attached) and the recently confirmed Johnny Simmons (Scott Pilgrim).

The film, directed by Phil Lord and Chris Miller (Cloudy with a chance of Meatballs) is currently lensing for a March 16, 2012 release.

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According to Variety Jay Baruchel, Craig Ferguson, America Ferrera, Jonah Hill, Christopher Mintz-Plasse, T.J. Miller and Kristen Wiig will reprise their speaking roles in How to Train Your Dragon 2, which is currently in pre-production at DreamWorks.

As well as overwhelmingly positive reviews (98% on Rotten Tomatoes) How to Train Your Dragon became a surprise hit by taking nearly $500 million at the worldwide box office. With that kind of response a sequel was guaranteed.

After sharing writing and directing duties with Chris Sanders on the original, Dean DeBlois will take over both tasks on the sequel, with Sanders remaining as an executive producer. The current aim is to release the sequel in 2013, and as Cressida Cowell’s book series contains 8 books in total there will be a wealth of material to draw from.

How to Train Your Dragon will be released on DVD and Blu-ray October 15th, and you can pre-order it from Amazon via these links:

- Single Disc DVD
- Two-Disc Edition DVD
- Blu-ray

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Comedy is perhaps the most subjective of all film genres. It’s nearly impossible to create a film that is universally regarded as hilarious, so I would imagine filmmakers simply decide to make something that they themselves would find funny. I really enjoyed Nicholas Stoller’s debut feature film, Forgetting Sarah Marshall, so it stands to reason that I’d be excited for a spinoff featuring one of the funniest characters of that film, Russell Brand’s eccentric rock star Aldous Snow. But can the British comedian-turned actor hold an entire film on his own?

Aldous Snow (Brand) has fallen on some hard times since the release of his latest album “African Child,” hailed by the press as “the worst thing to happen to Africa since apartheid.” The bad reviews caused a rift with Snow’s successful model/singer girlfriend Jackie Q (Rose Byrne), so Snow has fallen off the wagon and returned to the drug-fueled escapades we saw in Sarah Marshall. Aaron Green (Hill) is a record company intern and a huge fan of Infant Sorrow, and pitches the idea for a reunion show to his boss, Sergio (Combs). Green is tasked with retrieving the eccentric rocker from England and getting him back to the Greek Theatre in Los Angeles in 72 hours.

Jason Segel is a co-producer on this film, but it lacks the charm and heart of Sarah Marshall, which Segel starred in and wrote. Stoller wrote and directed Get Him to the Greek and tries to recapture the sweetness that FSM had, but never quite achieves that goal. The characters aren’t as endearing and the comedy isn’t as organic. Even with a concept as ludicrous as a character going on a Hawaiian vacation and running into his ex-girlfriend at the same resort, Segel knew how to infuse Sarah Marshall with a reality that seemed believable and genuine; Get Him to the Greek plays like a gauntlet of events that the characters must barrel through to reach their final destination.

Sure, there are funny moments in this movie, and I’m not claiming that I didn’t enjoy it. But the pacing was so unbalanced I found it jarring at some points. Aldous Snow in particular experienced instantaneously wild swings of emotion that felt unnatural and poorly set up. It was the type of thing you’d find in a poor romantic comedy: shifts in emotion that are unjustified except in their ability to superficially progress the story. The film also occasionally falls into the Apatow formula of crass humor for the sake of being crass, which is something that I personally don’t find all that funny. Like I said, film is subjective.

To answer the question posed at the beginning of the review, I don’t think Aldous Snow’s character can hold an entire movie on his shoulders. Part of the reason everyone loved him in Sarah Marshall was because Segel knew how to show some restraint – by having Snow appear intermittently, the character’s wild actions were fresh and unexpected. Here, the film highlights his exploits and loses some of the surprise factor that made him so funny the first time around. Jonah Hill, whom I normally don’t care for, actually did some pretty good work here and played against type as the straight man to Snow’s drug-addled rocker. But with a premise like this, I don’t think the humor and drama ever found the right balance; the two leads deal with love interests and career choices in storylines that seem at odds with each other instead of complementing each other.

Elizabeth Moss (“Mad Men”) was believable as Green’s girlfriend Daphne, a nurse who works bizarre hours and wants to move the couple to Seattle so she can have better hours and spend more time with her boyfriend. They have a spat before Green takes off, and Daphne understandably doesn’t take kindly to his philandering with Snow. I won’t spoil it, but one of the film’s most uncomfortable scenes involves her character evening the score after Green returns to Los Angeles. Rose Byrne was quietly effective as Jackie Q, Snow’s ex-girlfriend. Her relationship with Aldous seemed to be the most realized of any on screen, and although I wish we could have seen a bit more of her, I appreciated the outcome of their situation.

Sean Combs was surprisingly funny as the overblown record executive, but the rest of the supporting cast was criminally underused. Comedians Aziz Ansari and Nick Kroll were featured in only one scene and easily could have been utilized in various points throughout the film. Kristen Bell’s cameo was expectedly short but, as much as I love her, kind of uninspired. I appreciated the random appearance from Ricky Schroder (Poolhall Junkies), but thought they could have done a bit more with Bell’s character.

I dug the first half of the film, but it fell apart in the third act with strained storyline conclusions and a pretty typical ending. The comedy also got weirder as the movie progressed, featuring a lot of “humor” revolving around Jonah Hill’s rectum. Yeah, it was disturbing, and sometimes disturbing things are funny, but those sequences didn’t do anything for me. I much preferred the “2 Fast 2 Furious” scene, with its non sequiturs and escalation that reminded me of that famous brawl in Anchorman: The Legend of Ron Burgandy.

Get Him to the Greek lacks the soul of Forgetting Sarah Marshall, but it’s still worth a watch on DVD or Blu-ray when its released. It’s relatively harmless, but didn’t live up to my (admittedly too high) expectations. What did you think of it? Leave your comments below.

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When I saw the first trailer for How To Train Your Dragon, I must admit it didn’t pique my interest. A non-Pixar film is automatically fighting an uphill battle in the animation industry, and Dragon just didn’t seem that interesting to me. So I practically surprised myself when I decided to check out an advanced screening (in 3D, no less) at the Mann’s Chinese Theater in Hollywood on Thursday night. I was also surprised with how much I ended up enjoying the film.

How To Train Your Dragon shares plot elements with a lot of stories we’ve seen recently. The plot follows Hiccup, a young Viking living in a culture that thrives on fighting dragons. His dad is the chief of the village and wants nothing more than for his son to grow up to be a hard-nosed Viking like the rest of the tribe. That’s what Hiccup wants, too – but the problem is he’s kind of clumsy and seems to be more of an inventor than a warrior (he’s the apprentice to a blacksmith). When Hiccup uses one of his inventions to take down a Night Fury (the most mysterious and rare of all dragon classifications), he finds he doesn’t have it in him to kill the beast and instead befriends it. As the rest of the story unfolds, Hiccup attempts to convince his tribe that dragons may not be as bad as they thought.

So why did I like this film? First off, aside from the overly-cartoonish characters (admittedly a Dreamworks style that I don’t particularly care for), the animation was phenomenal. There were a few sequences in which Viking ships were travelling over water where I literally whispered “wow” in the theater because of how beautifully the water was rendered. I know it’s a small detail, but it was some of the best CG water I’ve ever seen. More than the water, though, I loved the actual “dragon training” sequences. Remember the scene in Avatar where Jake Sully’s Na’vi flies through Pandora on the back of a dragon? This film does that same sequence, but better (and about half an hour longer). You can practically feel the wind on your face as Hiccup and his dragon soar through the air, coast above the water, and dodge through rock formations. It’s genuinely thrilling filmmaking, and I had an insane amount of fun with those scenes.

I mentioned before the film shares plot elements with a few other films. Besides the Avatar similarities (which are too blatant to ignore), How To Train Your Dragon also borrows a bit from Cloudy With a Chance of Meatballs, one of my favorite animated films of the past decade. The protagonists in both films are “different” from societal norms; they are outcast inventors trying to impress their fathers and score their first girlfriend at the same time. They both get in over their heads, but eventually prove that not only is it OK to be different, but it’s ultimately necessary for the well-being of their respective towns. Oh, and I’d be remiss if I didn’t mention the (slight spoiler alert) huge monster dragon that appears near the end of the film bears a striking resemblance to the Kraken from the upcoming Clash of the Titans. The animators must have been pissed when they saw that Titans trailer.

Rising above the shuffle of filmic references and breathtaking visuals is a solid cast featuring Jay Baruchel (She’s Out of My League, The Sorcerer’s Apprentice) as Hiccup, Gerard Butler (300, Gamer) as Stoic, Hiccup’s father and village chief, and late night talk show personality Craig Ferguson as Stoic’s right hand man, Gobber. Butler and Ferguson relish in their Scottish accents, while Baruchel mercifully plays it straight and avoids any annoying vocal tricks. America Ferrera, Jonah Hill, Christopher Mintz-Plasse, and Kristen Wiig round out the cast in supporting roles, all to fine effect. (Hill plays a character clearly based on Jack Black.)

The film tries to introduce a romance that didn’t work for me, partly because Astrid’s (Ferrera) transformation from “badass alpha-female” who wants nothing to do with Hiccup to “instant girlfriend” was rushed and didn’t feel natural. There’s even a scene reminiscent of Aladdin‘s famous “A Whole New World” montage where Hiccup and Astrid fly for the first time together, but it isn’t enough to make their relationship believable. With that said, the visuals during that sequence were spectacular. There’s one shot in particular that stood out as something I’ve never seen before. The camera stays locked in a side profile view of the pair flying atop a dragon as the dragon goes into a flying flip, with the background around the camera rotating but the trio staying right-side-up for the duration of the shot. It’s a cool little touch; add that to the training sequences I talked about earlier and I think we have one of the most gorgeous films of the year so far. It’s no surprise that Academy-Award winning cinematographer Roger Deakins was a visual advisor on the film.

Speaking of visuals, I haven’t mentioned the 3D yet. Like Pixar’s Up, this movie uses 3D as a means of adding depth instead of bringing things out into the face of the audience. I’m generally not a fan of 3D, but this felt totally organic and didn’t distract from the story at all. However, if you’re not willing to part with the extra cash for the more expensive 3D ticket, I’m confident the film will look just as dazzling in the standard two dimensions.

My last point comes with a brief disclaimer: I’m fully aware some people are going to accuse me of reading too far into a “kid’s movie,” but I figured I’d bring this up anyway. At one point, Astrid disgustedly looks at Hiccup (who has just failed a training mission in Viking Camp) and says “our parents’ war is about to become ours. You better figure out whose side you’re on.” Poignant words from a movie geared towards kids, especially today. Later on, Hiccup and his father argue over the merits of saving the dragons or fighting them. “They’ve killed hundreds of us!” Stoic yells at his son. “But we’ve killed thousands of them!” Hiccup replies. “They’re just defending themselves.” I’m not going to use this review as a platform for my own political beliefs, but it would appear someone was trying to slide a little current affairs into this movie. For those who would argue with me on this, let me offer a bit of defense: I think the aforementioned points are just as relevant as the political references in The Dark Knight. How To Train Your Dragon was based on a book written in 2003, so it’s probable that if those specific bits of dialogue were in the text, they were written with the War on Terror consciously or subconsciously in the author’s mind.

Chris Sanders and Dean DeBlois co-wrote (with a few others) and co-directed, and overall I had a really fun time with this movie. The characters aren’t as fully rounded as I’d like, but the breathtaking visuals and fun tone of the film more than made up for any missteps along the way. While I haven’t seen many of Dreamworks Animation’s films outside of the Shrek series, How To Train Your Dragon definitely ranks up there next to the first Shrek film as my favorite of their work so far. Unlike the Shrek sequels (and, from what I hear, other Dreamworks Animation films since), this movie does not rely on pop culture gags AT ALL and instead chooses to focus completely on the story and the characters. Obviously this was a great decision on their part, one I hope they repeat in the future. I’d recommend this movie to anyone of any age. How To Train Your Dragon hits theaters on March 26th in the United States and March 31st in the United Kingdom. Until next time…

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The full trailer for DreamWork’s How to Train Your Dragon has just been unleashed over at Yahoo! and can be watching using the player below:

It’s common for DreamWork’s to hire well known actors to fill the voice cast, and they’ve done the same with this film. While it will help during the marketing it doesn’t always work on-screen, and I think that may be the case this time. The main guy’s voice doesn’t really ‘fit’ for me.

How to Train Your Dragon, which will be released next March, is co-directed by Dean DeBlois and Chris Sanders who both worked on Lilo and Stitch, and features the voice talents of Jay Baruchel, Gerard Butler, Jonah Hill, Christopher Mintz-Plasse and America Ferrera.

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It’s been four years since The 40 Year Old Virgin had everyone talking about the return of the R-rated comedy. Two years ago, I accidentally took a date to Knocked Up, not expecting to actually have a conversation about my personal habits that didn’t make me “father material.” Judd Apatow has since spawned comedies from Seth Rogan and Jason Segel, bringing the term “bromance” to the forefront the modern adult comedy cinema vernacular.

And all it took was Walk Hard: The Dewey Cox story for people to start doubting, those doubters and their doubting doubts.

Well, doubt no more, because Apatow is back and in a decision that threw me at first, he’s brought Adam Sandler back with him. Yes, Adam Sandler, who I swore off after I Pronounce You Chuck And Larry turned out to be the most offensive and pointless thing I’ve seen in theaters in all my years of film-going. Don’t Mess With The Zohan wasn’t my cup of tea, but it was the first Sandler project that Apatow’s name popped up on (Judd got a writing credit).

Now, we have Funny People, Apatow’s directorial follow up to Knocked Up. It’s described thusly: When seasoned comedian George Simmons (Sandler) learns of his terminal, inoperable health condition, his desire to form a genuine friendship cause him to take a relatively green performer (Rogen) under his wing as his opening act.

That doesn’t even mention that Jonah Hill, Leslie Mann, Eric Bana, RZA, Aziz Ansari, Jason Schwartzman, and some comedians appearing as themselves (Sarah Silverman, Andy Dick) will be appearing to bring their funny.

To me, the Red Band trailer manages to be funny while keeping the subtle undertones of the mortality drama this flick could have become. Did it work for you as well?

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Not gonna lie, I am psyched for this film.

I’m not kissing up to the UK audience, or the Ricky Gervais audience, or even the comedy audience, it’s just that this trailer charmed my pants off. Here’s why: Growing up, one of my friends was briefly convinced he invented masturbation. It wasn’t his fault, he just stumbled across the method (see, grandma, it IS natural!) and thought he could make millions by selling the secret. And that’s the exact attitude this trailer takes: what happens when you discover the greatest thing ever and you invented it? When that thing is lies, it means you can do anything.

In The Invention Of Lying, Ricky Gervais plays Mark, a man living in a world where everyone tells the truth. That is until one day, Mark’s synapses fire especially hard and he invents the lie.

Tina Fey, Rob Lowe, Jennifer Garner, Jason Bateman, Louis CK, Jonah Hill, Martin Starr, Christopher Guest and Ricky Gervais Podcast staple Karl Pilkington are just a few of the fantastic folks rounding out the cast.

CLICK HERE to see the trailer at Yahoo! Movie UK.

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One day at the end of April we heard news that Superbad actor Jonah Hill was in talks to appear in Transformers 2. However, a few days later it was reported that he was no longer in talks. I was happy about this because I wasn’t too keen on him being in Transformers 2, and it turns out he wasn’t either.

IESB got some interesting info about why he turned the role down:

“Apparently, Jonah was more or less offered the part in the room, but then had to go into Bay’s office to read the script – because it’s so super top secret and the plot is so extra-specially complex, you know.”

“Jonah sits down, opens the script. The character of the chubby sidekick is named “Jonah.” How perfect. Jonah reads 20 pages of the script, puts it down, and silently walks out of the room. Wants no part of it. Next thing you know, his reps call Bay, he’s off the project.”

Turning down a huge movie like Transformers 2 is a bold move, however I can see why he did it. He probably doesn’t want to be typecast as the chubby funny sidekick for the rest of his life. He played a chubby sidekick called Jonah in Knocked Up and he had been offered to play a chubby sidekick called Jonah in Transformers 2.

There was a time when Shia LaBeouf himself played the comic relief side kick, in movies like I,Robot, Charlies Angels: Full Throttle and Constantine. Thankfully, he’s kissed Steven Spielberg’s ass enough so he no longer has to play them roles now, instead he’s getting comic relief sidekicks of his own.

Could we be seeing Jonah Hill leading a sci-fi action franchise sometime in the future? Time will tell…

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According to Entertainment Weekly, Superbad actor Jonah Hill is in talks to play the sidekick of Shia LaBeouf’s character Sam Witwicky.

Jonah Hill is in early negotiations to costar opposite Shia LaBeouf in Transformers 2 for DreamWorks and Paramount. Hill (Superbad, Forgetting Sarah Marshall) will provide the comic relief as a sidekick to Shia’s Sam Witwicky. (A source tells EW.com that he’ll play Sam’s college roommate, but DreamWorks won’t confirm.) The sequel is set to begin shooting this summer.

I was hoping Transformers 2 would be going down the more serious route, and it still may do. However, it always annoys me when actors like Jonah Hill are put in movies like Transformers. It keeps reminding you that what are watching is still a movie, and that actor you see in front of you was in Superbad. I had the same feeling when Shia LaBeouf popped up in Charlies Angels: Full Throttle (yes I saw that). It’s just typical Hollywood. No doubt Jonah will be playing a slightly more scared version of his character Seth in Superbad, but it will probably make everyone laugh. So yay for fun!

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Apatow & Co. are at it again! Nick Stoller, director of Forgetting Sarah Marshall, has just sold the rights to Get Him to the Greek to Universal. The premise of the new flick?

A fresh-out-of-college insurance adjuster is hired to accompany an out-of-control rock star from London to a gig at L.A.’s Greek Theater.

Judd is producing, Nick will be direct, and Jonah Hill and Russell Brand will star!

Let’s hope it’s as good as Sarah Marshall (I’ll fight you on this one, Deena, I swear I will!)…!!!

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